Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
European city landscape, street landsacpe, construction, frontstore, building and architecture. 143

ID: 46618

unknow artist European city landscape, street landsacpe, construction, frontstore, building and architecture. 143
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unknow artist European city landscape, street landsacpe, construction, frontstore, building and architecture. 143


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unknow artist

  Related Paintings of unknow artist :. | Arab or Arabic people and life. Orientalism oil paintings 260 | Dressmaker's Shop in Arles | gustaf nordenskiolds | Cat in Red Necklace | Arab or Arabic people and life. Orientalism oil paintings 55 |
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Arifi
The Sixteenth century Ottoman court poet
BADALOCCHIO, Sisto
Italian Baroque Era Painter, 1585-ca.1619 Italian painter and etcher. His formation as an artist took place within the Carracci circle. According to Malvasia, he may have attended the Carracci Academy in Bologna, before returning to Parma in 1600 as the pupil of Agostino Carracci when the latter entered the service of Ranuccio I Farnese, 4th Duke of Parma. After Agostino's death in 1602, Badalocchio and his fellow pupil Giovanni Lanfranco were sent by the Duke to Rome in order to complete their training in the studio of Annibale Carracci, who was then working in the Palazzo Farnese. Badalocchio remained with Annibale until the latter's death in 1609. He participated in most of the projects that occupied the studio assistants during those years, such as the frescoes on the walls of the Galleria in the Palazzo Farnese and those previously in the Herrera Chapel in S Maria di Monserrato, Rome (now detached and divided between Madrid, Prado, and Barcelona, Mus. A. Catalunya), although his precise share in them is still debated. His first signed works are etchings, one (1606) after the antique sculpture of the Laokoon (Rome, Vatican, Mus. Pio-Clementino) and 23 (1607, part of a series of 54 executed in collaboration with Lanfranco) after Raphael's frescoes in the Vatican Logge; they reveal the romanizing character of his training. Yet his independent paintings of this early period reveal the influence of Lanfranco, which was to last throughout his career; the lively play of light and shade suggests his allegiance to Emilian art.
Armando de Basto
painted Retrato in 1910






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